This book combines ethnography, philosophy, and musical analysis for an in-depth look into the social context and musical praxis of gamelan gong gede, the large

Sociale geschiedenis van Indonesië.

While many Western scholars have discussed the technical aspects of Balinese music or the traditional contexts for performance, little has been written in Weste

Bali's shadow puppet theater, like others in Southeast Asia, is a complex tradition with many conventions that puzzle Western observers. Mary Zurbuchen demonstr