United by their belief in the importance of the human image in art, they distanced themselves both from the social realism of their predecessors and from the pu

This volume presents an overview of the social history of modern and contemporary Latin American and Latino art. This collection of thirty-three essays focuses

In Latin America, where even today writing has remained a restricted form of expression, the task of generating consent and imposing the emergent nation-state a

Annotation Photographer Nacho Lopez was Mexico's Eugene Smith, fusing social commitment with searing imagery to dramatize the plight of the helpless, the poor,

Named a Best Art Book of 2017 by the New York Times and Artforum In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities durin