In this illuminating new study of Mozart's operas, Nicholas Till shows that the composer was not a "divine idiot" but an artist whose work was informed by the i

"In Mozart and Enlightenment Semiotics, Stephen Rumph shifts the ground of interpretation for late eighteenth century European music by reinstating the semiotic

This study investigates the interactive relationship between the piano and the orchestra in Mozart's concertos by exploring the historical implications and herm

Music, Sexuality and the Enlightenment explains how Mozart's music for Le nozze di Figaro, Don Giovanni and Così fan tutte 'sounds' the intentions of Da Ponte'

First a symphony and then a song ...Mozart can never stop composing. It's as if his life depends on it. But this deeply angers his employer, the Prince-Archbish