This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain

First published in 2000, this collection of essays focuses on women theatre artists in the romantic period.

Palgrave Studies in The Enlightenment, Romanticism and the Cultures of Print features work that does not fit comfortably within established boundaries - whether

Worrall presents an innovative transposition of social assemblage theory into eighteenth-century British theatre and performance history.