In the playhouses of eighteenth-century France, clerks and students, soldiers and merchants, and the occasional aristocrat stood in the pit, while the majority

This international analysis of theatrical case studies illustrates the ways that theater was an arena both of protest and, simultaneously, racist and imperialis

For most of the seventeenth and eighteenth centuries, classical dogma and royal censorship worked together to prevent French plays from commenting on, or even w

Davidson provides a reevaluation of prevailing views on the effects of the French Revolution, and particularly on the role of women. Arguing against the idea th

How technology and the politics of attention changed the way we look at art The ways we encounter contemporary art and performance has changed. How are we expec