Fresh insight into the dramaturgical practices of the Younger Seneca

The first-century Roman tragedies of Seneca, like all ancient drama, do not contain the sort of external stage directions that we are accustomed to today; never

Pantomime was arguably the most popular dramatic genre during the Roman Empire, but has been relatively neglected by literary critics. Seneca's Tragedies and th

Perry reveals Shakespeare derived modes of tragic characterization, previously seen as presciently modern, via engagement with Rome and Senecan tragedy.

In Brill's Companion to the Reception of Senecan Tragedy, Eric Dodson-Robinson incorporates essays by specialists working across disciplines and national litera