Prior to the collapse of communism, Romanian historical movies were political, encouraging nationalistic feelings and devotion to the state. Vlad the Impaler an

Prior to the collapse of communism, Romanian historical movies were political, encouraging nationalistic feelings and devotion to the state. Vlad the Impaler an

Links the nationalist focus of the Greater Romania Party to past nationalist discourse characterized by the continuity of themes including language, origins and

Based on the idea that there is a considerable difference between reality and discourse, the author points out that history is constantly reconstructed, adapted

Another in the 24 Frames series, each of these twenty-four essays discusses an individual film from the Balkan region (Bulgaria, Greece, Romania, Albania, and t