Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900

Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900
Author :
Publisher : Oxford University Press
Total Pages : 306
Release :
ISBN-10 : 9780190909277
ISBN-13 : 0190909277
Rating : 4/5 (277 Downloads)

Book Synopsis Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900 by : Laurel Parsons

Download or read book Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900 written by Laurel Parsons and published by Oxford University Press. This book was released on 2018-09-28 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through musical analysis of compositions written between the mid-twelfth to late nineteenth centuries, this volume celebrates the achievements of eight composers, all women: Hildegard of Bingen, Maddalena Casulana, Barbara Strozzi, Élisabeth Jacquet de la Guerre, Marianne Martines, Josephine Lang, Fanny Hensel, Clara Schumann, and Amy Beach. Written by outstanding music theorists and musicologists, the essays provide fascinating in-depth critical-analytic explorations of representative compositions, often linking analytical observations with questions of meaning and sociohistorical context. Each essay is introduced by a brief biographical sketch of the composer by the editors. The collection--Volume 1 in an unprecedented four-volume series of analytical studies on music by women composers--is designed to challenge and stimulate a wide range of readers. For academics, these thoughtful analytical essays can open new paths into unexplored research areas in the fields of music theory and musicology. Post-secondary instructors may be inspired by the insights offered in these essays to include new works in music theory and history courses at both graduate and upper-level undergraduate levels, or in courses on women and music. Finally, for soloists, ensembles, conductors, and music broadcasters, these detailed analyses can offer enriched understandings of this repertoire and suggest fresh, new programming possibilities to share with listeners.

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