This volume presents Italian painting through specific themes, as well as by chronological and regional achievement. With approximately 300 colourplates, this l

Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aes

Italian art, starting with its origins in the Middle Ages, has developed by the multiplicity of its artists and in the autonomy of its styles that for centuries

Italian Painting in the Age of Unification reconstructs the artistic motivations and messaging of three artists—Tommaso Minardi, Francesco Hayez, and Gioacchi