A re-evaluation of the Latin-texted motet during the age of Du Fay.

Ruth I. DeFord offers new insights on Renaissance theories of rhythm and their application to the analysis and performance of music.

Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both special

This volume explores the work of one of medieval music's most important figures, and in so doing presents an extended panorama of musical life in Europe at the

When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium me