Download or read book A Bibliography of the White Mountains (Classic Reprint) written by Allen H. Bent and published by Forgotten Books. This book was released on 2016-09-05 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from A Bibliography of the White Mountains The earliest of American landscape painters, Thomas Cole and Thomas Doughty, were not slow in finding out the beauties of the White Mountains, and they have had many followers. A cata logue of paintings in public places might prove interesting, al though it would be painfully short. The Boston Museum of Fine Arts has none; the Corcoran Gallery in Washington has but one, John F. Kensett's Sketch of Mt. Washington; and the great Metropolitan Museum in New York has only one, Homer D. Martin's Madison and Adams from Randolph Hill. The Lenox Library in New York does better, with five. One field, newspaper articles, I have neglected entirely, although it contains much valuable matter. In the New Hampshire States man and Concord Register of September 9 and 16, 1826, is per haps the earliest printed description of Franconia Notch and an ascent of Mt. Lafayette, or Mt. Fayette as the writer calls it. A few days earlier nearly all of the New England newspapers pre sented thrilling accounts of the terrible Willey house disaster. Starr King's first mountain articles, signed T, appeared in the Boston Transcript in the summer of 1853, and the several chap ters of Julius H. Ward's volume were written originally for the Boston Sunday Herald. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.