Visual Style and Constructing Identity in the Hellenistic World

Visual Style and Constructing Identity in the Hellenistic World
Author :
Publisher : Cambridge University Press
Total Pages : 333
Release :
ISBN-10 : 9781108210881
ISBN-13 : 1108210880
Rating : 4/5 (880 Downloads)

Book Synopsis Visual Style and Constructing Identity in the Hellenistic World by : Miguel John Versluys

Download or read book Visual Style and Constructing Identity in the Hellenistic World written by Miguel John Versluys and published by Cambridge University Press. This book was released on 2017-06-29 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: Located in the small kingdom of Commagene at the upper Euphrates, the late Hellenistic monument of Nemrud Dağ (c.50 BC) has been undeservedly neglected by scholars. Qualified as a Greco-Persian hybrid instigated by a lunatic king, this fascinating project of bricolage has been written out of history. This volume redresses that imbalance, interpreting Nemrud Dağ as an attempt at canon building by Antiochos I in order to construct a dynastic ideology and social order, and proving the monument's importance for our understanding of a crucial transitional phase from Hellenistic to Roman. Hellenistic Commagene therefore holds a profound significance for a number of discussions, such as the functioning of the Hellenistic koine and the genesis of Roman 'art', Hellenism and Persianism in antiquity, dynastic propaganda and the power of images, Romanisation in the East, the contextualising of the Augustan cultural revolution, and the role of Greek culture in the Roman world.

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Visual Style and Constructing Identity in the Hellenistic World
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Type: BOOK - Published: 2017-06-29 - Publisher: Cambridge University Press

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Located in the small kingdom of Commagene at the upper Euphrates, the late Hellenistic monument of Nemrud Dağ (c.50 BC) has been undeservedly neglected by scho
Visual Style and Constructing Identity in the Hellenistic World
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Located in the small kingdom of Commagene at the upper Euphrates, the late Hellenistic monument of Nemrud Dağ (c.50 BC) has been undeservedly neglected by scho
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Visual Style and Constructing Identity in the Hellenistic World
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